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Post by francoamerican on Jul 10, 2011 9:44:52 GMT -5
New Episode just released: www.darkdiscussions.comdarkdiscussions@aol.com iTunes: Dark Discussions Podcast Episode 008 - Let Me In During the year of our Lord 2004, the debut novel of an unknown author from Sweden changed the mythos of one of the most mysterious and dangerous monsters of horror legend. Prior to its release, vampires had slowly become the stock character of numerous romantic and teenage horror books and films. However this original take on the creature of the night stood out from the more common romantic view of the vampire. When John Ajvide Lindqvist saw his novel Let the Right One In published within his home country, it immediately landed an audience and became a best seller. Almost without delay scores of movie producers throughout Sweden battled for the film rights to this original and chilling work of fiction. Four years later the Swedish language film with its screenplay written by Lindqvist made its debut and the story suddenly became an international sensation. A second adaption entitled Let Me In was made in 2010 to almost as much critical acclaim. Philip takes the mic and goes deep into why this story, both book and films, has had such an impact on its readers and viewership. With the melancholy sadness of the lead protagonists to the socially disenfranchised supporting characters, the story may be much more than a standard horror tale. A vampire may haunt this small suburban town but one wonders if the real horror presented is actually social inequity, human nature, mental illness, and the struggle with daily life.
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Post by francoamerican on Jul 17, 2011 15:29:57 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes subscription: Dark Discussions Podcast Episode 009 - The Planet of the Apes Retrospective Part 1 In 1952, a French World War II veteran and resistance hero, wrote a historical novel that brought him to international fame, The Bridge Over the River Kwai. Pierre Boulle became a prolific author who’s career extended into many genres which included science fiction and social fantasies. By 1963 his latest novel, Monkey Planet also translated into Planet of the Apes, grabbed the attention of Hollywood. With Rod Serling co-screenwriting, Charlton Heston starring, Franklin Schaffner directing, and Jerry Goldsmith scoring, the film adaption of what one would have considered but a B-film only ten years prior became an international sensation and preceded the summer blockbuster film by seven years. The film took the novel’s story to a new level of imagery and connotation for the times. In a world that had the fears of the Cold War and the Prague Spring, the importance of race relations, the end of Arab nationalism and the rise of Islamic fundamentalism, a war in Vietnam, the death of colonialism, issues such as women’s rights, and social upheavals that followed the Summer of Love, The Planet of the Apes brought all this in a symbolic way to the big screen. With Rod Serling’s new ending that included an iconic image of the Statue of Liberty, the shock that resulted made the movie not only entertainment but also one of the most important films in movie history. Philip and Mike discuss the history of the story and the importance of it to genre fans. A franchise was born including four sequels, a television show, a cartoon, comic books, and toys and memorabilia. Part One of our retrospective focuses on the novel, the first film and the first follow up within the franchise, Beneath the Planet of the Apes. Get ready and join us in a conversation that will bring this story full circle. One wonders whether Pierre Boulle was more a prophet than just a mere novelist.
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Post by francoamerican on Jul 24, 2011 14:21:42 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes subscription: Dark Discussions Podcast Episode 010 - Rear Window What appears to be a tight and quaint little thriller seems by today’s standards so much more. Rear Window, one of Alfred Hitchcock’s masterpieces from 1954, seems more modern today than the half a century ago that it was filmed. With reality television a staple on every channel, a person with a flick of the switch can immediately become a voyeur and watch through a window the staged lives of so many people, famous or not. Mr. Hitchcock put together a film that seems as if he himself had a window to the future. The film is that of a semi-famous photographer, Jeff Jeffries, who remains in a wheelchair after shattering his leg while on assignment. Stuck in his Manhattan apartment for over six weeks the film audience meets his bourgeois Brahmin Park Avenue girlfriend Lisa Fremont along with his sharp tongued and private nurse, Stella. Bored and frustrated, he begins to innocently watch the neighbors living in the various apartments in the enclosed courtyard from his rear window. But soon, without knowing, he has become voyeuristic in a way. His thoughts about rear window ethics however are short lived when he suddenly comes to the conclusion that maybe a murder has occurred when one of his neighbor’s mysteriously disappears. Though not necessarily a horror film, the off screen horror elements of what someone may or may not have done with a murdered corpse fits tightly into a story filled with suspense, dark humor, and Mr. Hitchcock’s inside joke that the audience is as guilty of voyeurism as Jeff Jefferies. Not shy about shocking its audience, Rear Window is the definition of a genuine genre classic. Philip and co-host Eric discuss one of their favorite genre films and how it is as much about murder as it is about the person and people who may have witnessed it.
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Post by francoamerican on Jul 26, 2011 17:08:37 GMT -5
Going on vacation until August 3rd so releasing Episode 011 Wednesday morning July 27th so look for it in the morning. The 2nd of a 3 part arc of the Planet of the Apes and the August 11th release of the new film, Rise of the Planet of the Apes. www.darkdiscussions.comdarkdiscussions@aol.com iTunes: Dark Discussions Podcast Episode 011 - The Planet of the Apes Retrospective Part 2 With the legacy of the Planet of the Apes and its sequel behind them, an idea came about that would lead to a three story arc to round out the now classic franchise. With this in mind, Pierre Boulle’s novel The Planet of the Apes was front and center once again where the source material was mined to create a new and compelling arc that took the original novel and reversed the human and ape character roles for the upcoming films. The intelligent apes, Cornelius and Zira, take the lead in the first of the three films, Escape from the Planet of the Apes. Through the physics of space and time, they appear on modern day Earth where they at first are beloved as a novelty yet soon such feelings sour as the government learns that the future of the human race may result in slavery and domination by intelligent apes. In the next film, Conquest of the Planet of the Apes, Caesar, the child of Cornelius and Zira, grows up to lead an army of slave apes in rebellion against man and his suppressing ways. Rounding up the franchise is The Battle for the Planet of the Apes, where Caesar tries to create a society in which both man and ape can live peacefully as equals. However with struggles brewing within the ape community and from humans that have distanced themselves from such a society, Caesar’s visionary hopes could possibly be dashed. Philip and Mike discuss the final three films within the original franchise. Such topics as race relations, human rights, immigration, animal compassion, and modernization are thrashed out. With the scientific understanding that the wild ape has violent streaks and will also turn upon their own, do these films reflect the nation state where one unjust dictator is removed for a better life of its people only to be replaced by someone more wicked? With the ambiguous nature of the antagonists within these films, one may wonder whether one man’s belief system may be nothing more than that specific man’s perspective.
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Post by francoamerican on Aug 4, 2011 12:35:21 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes: Dark Discussions Podcast Episode 012 released. Planet of the Apes Retrospective Part 3 As the original Planet of the Apes franchise has moved from modern film into classic spectacle, Hollywood decides to reboot the series for a new generation of film goers. Thirty-two years since the Charlton Heston original classic, a reboot goes into production and is released in 2001 to great excitement. Tim Burton, the director of such genre favorites as Sleepy Hollow and Ed Wood, helms an ambitious remake starring Mark Wahlberg, Tim Roth, and the beautiful Estella Warren in a film that sadly disappoints both the younger audience and those who are fans of the original series. Though spectacular visually, the story arc would resonate with neither film critic nor filmgoer. Yet today, August 11, 2011, ten years after the first reboot Hollywood yet again brings to audiences a new version of the franchise, Rise of the Planet of the Apes. Unlike the Tim Burton film, this new reboot focuses on an alternate timeline from the original following more the storyline of the fourth film of the original franchise Conquest of the Planet of the Apes (which starred Roddy McDowell and Ricardo Montalban). With new advances in science, apes are genetically altered in the attempts to cure Alzheimer’s disease with an unusual side effect, intelligence development within the chimpanzee. Starring James Franco, John Lithgow, Andy Serkis, and the beautiful Freida Pinto, fans of the original once more hope for a film that will not only blow them away visually but will have a story that will echo within today’s world. Dark Discussions finishes up their trilogy The Planet of the Apes retrospective. Philip and Mike discuss genetic engineering, both its potentials and dangers, and try to answer the question of what amount of intelligence within a creature would establish the beast to be considered more than just an animal. Such novels as Michael Crichton’s Next, Robin Cook’s Chromosome 6, H. G. Wells' The Island of Dr. Moreau, and Robert C. O’Brien’s Mrs. Frisby and the Rats of NIMH are brought into the topic. George A. Romero’s film Monkey Shines, Will Smith’s I Am Legend, and the new documentary Project Nim are discussed. Even the cartoon show Family Guy has some value to add to the dialogue with its talking dog Brian. No matter what one thinks, Rise of the Planet of the Apes may be just the starting point on subjects as diverse as stem cell research, cloning, and genetic engineering. Horror films may be nothing more than fiction yet science is so much more. Science is reality.
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Post by francoamerican on Aug 13, 2011 11:45:04 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes subscription: Dark Discussions Podcast Episode 013 - Christopher Smith Focus: 2004's Creep When Christopher Smith wrote and directed his debut film entitled Creep in 2004, audiences waiting for a new voice in horror cinema were only getting a taste of what was to come. With a career that has now expanded to include four well regarded films within seven years, Christopher Smith has been observed by some as this generation’s John Carpenter. His films have included such diverse characteristics and plots as horror comedy, a powerful period piece, an original take on the slasher, and a mind bending mystery. Dark Discussions intent was to do a two part retrospective on this amazing director and screenwriter yet while putting the episodes together and discovering the detail that was discussed; it was decided to instead focus specifically on each of the splendid films of this wonderful talent. Philip and Eric discuss Mr. Smith’s debut film and what turns out to be the beginning of a fantastic run of movies. The bizarre nature of his films within the United States of America being released directly to the home market rather than the big screen is a mystery unresolved. With critical praise and a cult following seen by few, Christopher Smith and his movies are hidden gems which have made an impact in a genre deeply needing a proclamation. Their magic is specifically due to the final product presented rather than any self promotion by their creator. The first part of this director-focused arc is on Creep, a dark and intense horror thriller about a young woman named Kate played by actress Franka Potente who gets trapped within the London Underground after hours. Expecting a quick trip to a club party on the other side of the city, Kate’s night turns into a nightmare when a mysterious entity appears to be stalking the tunnels beneath the streets of London. While trying to find a way back up to the city blocks, her journey leads to a terror that may literally be mental illness and the clinical institutions that were more chambers of suffering rather than the hospitals they were meant to be. A film that appears nothing more than a tight little horror flick turns out to be a tale more about homelessness, drug abuse, mental illness, the uncaring nature of society, and the injustices done upon those that are disenfranchised.
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Post by francoamerican on Aug 17, 2011 19:35:03 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes subscription: Dark Discussions Podcast Episode 014 - Bits, Pieces, and Body Parts Volume 1 Dark Discussions does its first non-topical podcast. Though no specific theme is discussed, Gordon and Philip do a 360° roundabout through horror, pulp, and genre. On location at the cinema to see Final Destination 5 in 3D, various films are discussed including the Patrick Lussier/Todd Farmer productions of Drive Angry and My Bloody Valentine 3D. With horror on our hosts’ minds, the After Dark Horrorfest 8 Films to Die For yearly releases are focused on including some specific titles as The Hamiltons, Mulberry Street, and Unrest. Not to be left behind, superhero films such as Kick Ass enter the conversation but more importantly Philip and Gordon give their opinion on Anne Hathaway’s turn as the Cat Woman in the upcoming Christopher Nolan Batman film, The Dark Knight Rises. To round up the discussion prior to the viewing of Final Destination 5, our hosts discuss the novels they have been reading including Jonathan Maberry’s Dragon Factory, Ben Tripp’s Rise Again, Dan Simmons’ Flashback, Clive Barker’s Mister B. Gone, Douglas Preston and Lincoln Child’s novels Gideon’s Sword, Blasphemy, and the Agent Pendergast novel Cold Vengeance, among others. Returning after the film, Gordon and Philip give their spoiler free review on Final Destination 5, highly recommending all horror fans to get to the theater before the film leaves its 3D presentation behind. One thing however, more Tony Todd! To finish up, news and more news takes the forefront. The upcoming remakes of Conan the Barbarian, Fright Night, and the Zack Snyder Superman film Man of Steel are highly anticipated but will they be successful? Dark Discussions talks about the new Lois Lane and who they would have loved to have seen in the role; other than Amy Addams what about Emily Blunt, Mila Kunis, Natalie Portman, Megan Fox, or even Clare Grant? What happened to Frank Darabont and the Walking Dead? Stephen King’s Dark Tower film adaption is shut down. Can A Serbian Film actually be released in North American theaters? Would Conan be better off as a series like the fantastic Lucy Lawless show Spartacus? Why did Guillermo Del Toro walk away from an adaption of H. P. Lovecraft’s At the Mountains of Madness? Did one of our favorite characters in True Blood get killed off? Enter within, faithful listeners, into our dark discussion and find out all that awaits.
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Post by francoamerican on Aug 24, 2011 15:19:24 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com iTunes store: Dark Discussions Podcast twitter: DarkDiscussion1 Episode 015 - John Carpenter Retrospective Part 1 When horror fans think genre cinema the first person that comes to mind seems to always be John Carpenter, the renowned film director, screenwriter, and composer who won an Academy Award for a short film as a college student. Starting in the 1970’s, he began a legacy of creating some of the most unforgettable genre films ever. With his classic tale of Michael Myers, a relentless killer that seems to be of supernatural origin, the 1978 film Halloween became one of the most profitable films dollar for dollar in movie history. The film, taking its queue from such predecessors as Bob Clark’s Black Christmas and the Italian giallo, reinvented the slasher film and created a subgenre that went on to be the model for such diverse films as Friday the 13th and the Terminator. His follow ups included the gory yet classic ghost story The Fog, a story about a leper ship which sank a century ago coming back to seek revenge on the ancestors of the coastal town which refused to allow it to dock. His next film was the dystopian and cyberpunk forerunner Escape From New York in which Manhattan island has become a maximum security prison. The iconic character Snake Plissken is sent in to rescue the U.S. president after Air Force One crashes into the island following its hijacking by anarchists. His final film from this period was The Thing, a story based on John W. Campbell Jr.’s classic science fiction tale Who Goes There? When an alien being is defrosted in Antarctica by a Norwegian science team, terror ensues where what appears to be a sled dog escapes to an American science center bringing with it a horror of unspeakable brutality. Dark Discussions brings their take on the John Carpenter legacy. Philip and Gordon’s conversation mention such related topics as the newly released film The Ward, the possible film version of the comic book Darkchylde which John Carpenter is anticipated to direct, the 1958 science fiction horror film The Crawling Eye (also known as The Trollenberg Terror), and the Faye Dunaway film The Eyes of Laura Mars which was penned by Mr. Carpenter. Get ready for an overview of this legendary talent and how he left his mark on genre cinema.
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Post by Miss Dee on Aug 30, 2011 17:34:42 GMT -5
Franco - if you are interested in covering Horror Realm on your podcast, please contact us at info@horrorrealmcon.com. Thanks! www.darkdiscussions.comdarkdiscussions@aol.com iTunes store: Dark Discussions Podcast twitter: DarkDiscussion1 Episode 015 - John Carpenter Retrospective Part 1 When horror fans think genre cinema the first person that comes to mind seems to always be John Carpenter, the renowned film director, screenwriter, and composer who won an Academy Award for a short film as a college student. Starting in the 1970’s, he began a legacy of creating some of the most unforgettable genre films ever. With his classic tale of Michael Myers, a relentless killer that seems to be of supernatural origin, the 1978 film Halloween became one of the most profitable films dollar for dollar in movie history. The film, taking its queue from such predecessors as Bob Clark’s Black Christmas and the Italian giallo, reinvented the slasher film and created a subgenre that went on to be the model for such diverse films as Friday the 13th and the Terminator. His follow ups included the gory yet classic ghost story The Fog, a story about a leper ship which sank a century ago coming back to seek revenge on the ancestors of the coastal town which refused to allow it to dock. His next film was the dystopian and cyberpunk forerunner Escape From New York in which Manhattan island has become a maximum security prison. The iconic character Snake Plissken is sent in to rescue the U.S. president after Air Force One crashes into the island following its hijacking by anarchists. His final film from this period was The Thing, a story based on John W. Campbell Jr.’s classic science fiction tale Who Goes There? When an alien being is defrosted in Antarctica by a Norwegian science team, terror ensues where what appears to be a sled dog escapes to an American science center bringing with it a horror of unspeakable brutality. Dark Discussions brings their take on the John Carpenter legacy. Philip and Gordon’s conversation mention such related topics as the newly released film The Ward, the possible film version of the comic book Darkchylde which John Carpenter is anticipated to direct, the 1958 science fiction horror film The Crawling Eye (also known as The Trollenberg Terror), and the Faye Dunaway film The Eyes of Laura Mars which was penned by Mr. Carpenter. Get ready for an overview of this legendary talent and how he left his mark on genre cinema.
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Post by francoamerican on Aug 31, 2011 19:18:34 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com iTunes: Dark Discussions Podcast twitter: DarkDiscussion1 Episode 016 - Rise of the Planet of the Apes Rise of the Planet of the Apes has turned out to be a huge summer blockbuster and Dark Discussions gives their take on the film. Philip and Mike believe it to be the best genre film of the summer. With his performance playing the chimpanzee Caesar, Andy Serkis may have revolutionized the definition of modern day acting. Minute for minute, the role has more screen time than any other character. Andy Serkis’s presentation of a part that is entirely computer generated amazingly brings realism to the role. Through its modern spin of the franchise, a remarkable twist ending, and its multiple homages to the original series, the film shows that Hollywood can still make a summer film that is more than buttered popcorn. Following up on Episodes 006 and 007, the Frank Darabont Retrospectives, Philip and Mike discuss their opinions on Frank Darabont’s abrupt exit from his television series, The Walking Dead. With his strong connection and friendship to the cast and the elite screenwriting he brought to the show now gone, fans are wondering what happened and what went wrong. Whether the show will be as successful going forward is anyone’s guess, but either way the Frank Darabont signature upon the show will most certainly be missed. Lastly, the new Lone Ranger film by Walt Disney Productions starring Johnny Depp and his reteaming with Gore Verbinski who was set to helm the film is unexpectedly shut down due to financial issues. Taking note of Rise of the Planet of the Apes and its much smaller budget, our hosts consider how a supernatural and horror-themed screenplay of an updated version of the Lone Ranger is a missed opportunity as the reported cost for the film would have been over two times that of Rise of the Planet of the Apes. Once again, our hosts welcome you to yet another addition of their dark discussion.
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Post by francoamerican on Sept 7, 2011 10:58:35 GMT -5
www.darkdiscussions.comitunes: Dark Discussions Podcast darkdiscussions@aol.com Twitter: DarkDiscussion1 Episode 017 released - Christopher Smith Focus: 2006's Severance In 2006, Christopher Smith, the British director/screenwriter who came bursting onto the horror scene with the Franka Potente starring film Creep, comes back with his second feature length film, Severance. On a team building trip out in the wilderness of Eastern Europe, a group of defense company employees land up in a nightmare where what should have been at worst a boring digression turns into a terrifying excursion into hell. Christopher Smith brings to the horror fan a dark comedy that seems to get its humor from the ridiculous tripe of organizational behavior while bringing the dread of the most chilling slasher films. As our group of protagonists bumble around on a trip that the majority of them prefer not to have attended, a dark secret about their employer comes to the forefront where the not too distant past may have finally caught up to the present. Dark Discussions, in its ongoing retrospective of Christopher Smith and his films, present an in-depth look into Severance. Philip and Eric discuss the nature of what makes a great horror comedy. Almost like a chameleon, Mr. Smith has shown his talent from being able to move from one horror subgenre to another without missing a step. Severance is the slasher version of Shaun of the Dead and equals it in both gore and dark humor.
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Post by francoamerican on Sept 13, 2011 11:22:54 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com Twitter: DarkDiscussion1 itunes: Dark Discussions Podcast Episode 018 - The Extreme Films of Gaspar Noé Are they horror films? Are they art house films? Or are they exploitation films? The topic has been debated since the earliest of Gaspar Noé’s films was released back in 1998. No matter what they are called they have shocked both reviewers and audiences alike and caused more discussion than films with budgets a hundred times larger. Gaspar Noé, a French film maker that has been associated with the New French Extremity wave of horror, received immediate praise back in 1998 by his countrymen’s film critics with his debut movie I Stand Alone, a gritty and dark film about the bowels of French society. By taking a mirror to French culture, Noé’s film was immediately compared to such 1970’s American films as Taxi Driver and Hardcore. Following the critical praise of I Stand Alone, Noé came back with a film in 2002 entitled Irreversible which caused an uproar at Cannes. With its graphic depiction of violence, its visual staging for shock, and its terrifying representation of human nature, the film put critics in a quandary on whether to recognize its brilliance or be blinded by its severity. Having become a darling of critics yet trying his hardest not to be, Noé released his latest film in 2009 entitled Enter The Void, a dark and gritty film about expatriates living within the underground club and drug scene of Tokyo, Japan. Part supernatural thriller, part human drama, and part pulp fiction, the void may be actually more than death but an escape from the infinite sadness of the human spirit. Philip takes the mic yet again and brings you the down and dirty of Gaspar Noé and his three films to date. Whether a fan or a detractor, everyone must admit that his three films have brought strong reactions to anyone having the fortitude to view them.
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Post by francoamerican on Sept 21, 2011 13:25:54 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com twitter: DarkDiscussion1 itunes: Dark Discussions Podcast Episode 019 - John Carpenter Retrospective Part 2 Many critics overlook the latter part of John Carpenter’s career forgetting that he had a string of fantastic films that would have been crowning achievements for any other director. With such classic films as Halloween, The Fog, Escape From New York, and The Thing in his filmography already, each film that followed would be unfairly compared to them. Yet in all honesty, there were more than just hidden gems among the end product. Many have been well received and enjoyed by audience and critics alike. In 1983 two living legends came together. John Carpenter makes the film adaption of Stephen King’s Christine. At the time the film was considered one of the best adaptations of the author’s work. A year later he follows with the Academy Award nominated science fiction film Starman starring Jeff Bridges in an award nominated performance. But the true Carpenter fan would be rewarded soon after as John Carpenter returned to the horror genre with four of the most chilling horror films of their time. In 1987 he directs, writes, and composes for the film Prince of Darkness, the first of his films that would pay homage to H.P. Lovecraft but also to the religious horror films of the 1970’s. In 1988 he thrills audiences with the alien invasion film They Live, possibly one of the most overlooked gems of Mr. Carpenter’s career. Then in 1995 he returns with the crowning achievement In the Mouth of Madness, a frightful piece of Lovecraftian terror where an insurance invesitagator is in search of a missing horror author only to land up in a nightmare filled with insanity and madness. His final film from this period is the science fiction horror film The Ghosts of Mars, a film highly regarded by Roger Ebert and considered a throwback to great drive-in cinema. Dark Discussions goes through this latter part of Mr. Carpenter’s career. Philip and Gordon’s ponderings segue into the possibility of John Carpenter’s involvement with a film version of the graphic novel Darkchylde, his work in the television show Masters of Horror, a discussion of the British horror author John Wyndham and his books The Day of the Triffids and Midwich Cuckoos, a mention of another British horror author Simon Clark and his stories, and how John Carpenter’s Vampires gets a cameo in Clint Eastwood’s film Mystic River. Once again, listeners, enter if you dare.
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Post by francoamerican on Sept 28, 2011 11:42:39 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com itunes: Dark Discussions Podcast twitter: DarkDiscussion1 Episode 020 - 2011 Horror Realm Convention (2 part episode) Two files, one episode. No kidding, you read that correctly. Dark Discussions presents to you a two part episode of 2011’s Horror Realm Convention, Pittsburgh, Pennsylvania’s great horror symposium. Now in existence for three years, Horror Realm revels in the fact that it resides in the city of the living dead. That’s right, George A. Romero’s Night of the Living Dead as well as Dawn of the Dead not only take place in the suburbs of the city, but George A. Romero and the majority of the cast and crew are all natives to Pittsburgh and its surrounding areas. Though the Pittsburgh Pirates have been a member of the living dead for many years, just like the Steelers, zombies are alive and well. Dark Discussions presents to our listeners interviews and more interviews. Mike drives the four to six hours, scavenging for gas, food, and water while avoiding the zombie apocalypse to get to downtown Pittsburgh. With a host of horror names like Jack Ketchum, Bill Moseley, Ken Foree, Tiffany Shepis, Kim Paffenroth, Linnea Quigley, among others, Horror Realm offered multiple venders, authors, and film producers for the fans to meet and talk with. Rather than go into details of who Mike spoke with, just head to this episodes podcast page to find the links. To learn more, listen to the two part podcast if you dare.
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Post by francoamerican on Oct 5, 2011 9:50:21 GMT -5
www.darkdiscussions.comdarkdiscussions@aol.com twitter: DarkDiscussion1 itunes: Dark Discussions Podcast Episode 021 - The State of Vampires Part 1 Though vampires have been part of the fabric of myths and folklore throughout the centuries of both cultures and countries, it wasn’t until a fifty year old Irish immigrant and theater manager out of England named Abraham Stoker published a pulp novel entitled Dracula that the creatures of the night developed into arguably the most important monster in horror and genre fiction ever. Bram Stoker’s creation brought about a sociopathic being of a sexual predatory nature that entered the nightmares of any who happened to read this very successful tale of the supernatural. Beginning with Universal Pictures 1931 film Dracula starring acting legend Bela Lugosi, this iconic character lead the way for such other movie monster franchises as Frankenstein, the Wolfman, and our more modern nightmares of Freddy Krueger, Leatherface, and Michael Myers. Other production companies followed with their take. Hammer Studios beginning in the late 1950's brought Christopher Lee to the role and a run of both Dracula and vampire films filled with gothic, exploitation, and horror essentials made for an entertaining and chilling success of a film. Yet with the cultural revolution of the motion picture, where such shocking cinema as Bonnie and Clyde, Midnight Cowboy, and the grindhouse films of New York’s 42nd Street came to fruition, the vampire, too, had an upheaval that brought the vampire into the modern world. Your hosts, Mike and Philip, discuss the beginnings of this monster, its turn from the gentleman fiend that Bela Lugosi portrayed to its various roles in such films as Near Dark, Martin, and ‘Salem’s Lot. Lock your doors, listeners, as Dark Discussions gives its view during this first part of a very blood letting dialogue between our hosts on the lurid nightmare known to many as simply nosferatu. On a final note, you can download listener David's Sounds of Horror free download. Over 2 hours of horror sound effects for Halloween. Check it out!
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